I'll start with the pottery. The most easily recognizable Puebloan pottery, even for non-potheads, is the famous San Ildefonso black-on-black ware made by Maria Martinez and her family. Two of these pieces show her distinctive feathered pattern, and I am especially enamored of the avanyu plate on the right. These pieces were made in 1970.
The following pots probably all date between about 1880-1930, and because pots from that time were generally made to be used rather than made to be sold to collectors and tourists, they are exceedingly rare. These pieces are all hand-coiled, hand-decorated, and pit-fired.
Circa 1880s Zuni olla
Circa early 1900s Acoma olla
Circa 1930s Cochiti olla
Several early Hopi pieces
More Acoma pieces
A group shot to give you a sense of scale. Pots the size of the big Cochiti piece at the bottom center are extremely rare and unusual. On the right-hand post, from top to bottom, the pots are Acoma, Zuni, Hopi, Hopi, very old Cochiti, and Hopi. On the left-hand post, the pots are Acoma (obscured by glare), Acoma, Hopi, probably Cochiti, and Santa Clara.
Moving on to woven vessels, these baskets are Apache.
Exquisite, tiny baskets by the Pima tribe (now more properly called the Akimel O'odham). As the name suggests, they are descendants of the ancient Hohokam people.
And the jewelry! Some Zuni inlay.
Navajo silversmithing
Santo Domingo bow guards. These are decorative versions of the gear used to protect your inner arm from string-snap.
More Santo Domingo shell-work
Navajo and Zuni fetish and heishi necklaces
Silver from the Isleta and Laguna pueblos
By the time we finished admiring the incredible art in the visitors center, it was late afternoon and time for us to hit the road to Cortez. Some parting shots of the road out of Mesa Verde.
Back on the highway and headed west to Cortez, CO.
Our hotel (Holiday Inn Express) had neat petroglyph tiles in the lobby...
And this incredible Navajo sand painting was hanging nearby.
We were also excited to find that Navajo silversmith Freida Lansing had a table set up in the lobby where she was selling her lovely jewelry and her husband Jess' intricately carved pottery. (You can follow Frieda on Facebook here.) I have long admired Navajo jewelry, and until I met Freida, I only had a few small pieces that had been found in garage sales or antique stores. Seeing the collection of jewelry at Mesa Verde and Freida's table full
of fabulous turquoise was my first real exposure to the variety of
styles used by Navajo artists. I was interested in learning more (and acquiring more), and I was happy to find a piece by Freida to take home with me.
Next time, trading posts, a galloping goose, and Bridal Veil Falls.
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